Don't Be Consistent, Part 2

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    The theme for today is continuing with "Don't be Consistent"

    This is one of the Lojong Proverbs
    which are a set of advanced hints
    for developing self awareness and training "mind"
    (which in the Buddhist world view goes well beyond intellect)

    How can an eye see itself?
    How can a fish learn about "water"?
    How can a mind know something of itself, its shape and limits
    when it is the one doing the knowing?

    The psychologist Daniel Siegel
    a proponent of the developing discipline
    of positive psychology and mindfulness in Western thought
    calls this "mindsight".

    Every strength is also a weakness
    and vice versa.
    People complain more about suffering
    but even a "good time", a pleasant experience
    can be limiting
    and imply that something greater is being sacrificed for it.

    The idea of a "central pillar"
    symbolizes aspects of the self that one is very committed to
    that are important to one's sense of self
    and functioning in the world
    and yet, are in some sense, not truly essential.

    One avenue is feedback from others, from the world.
    Generally we find it very difficult to receive feedback
    and to give feedback
    compassionately
    and more importantly, to receive it
    with self-compassion.

    A Spanish proverb advises
    If one person says you're an ass,
    feel free to disregard it completely
    but if three people say you're an ass
    put on a bridle
    (or as I like to say, buy a bale of hay!)

    Feedback, verbal or not
    or "failure" - encountering one's limits
    can rattle the sense of self
    bringing various unpleasant experiences
    (which probably depend on the nature of that "pillar")
    including possibly, confusion, a sense of something missing,
    a feeling of weakness, vulnerability,
    a defensive hardening.

    The monk Thomas Merton
    famously said, that he didn't become a monk to suffer
    (or to be free from suffering)
    but to suffer more effectively.

    Although Lojong uses adversity and challenge
    as skillful means for practice
    it also cautions against extreme and dramatic measures:
    don't attack or undermine the heart
    don't go for the throat.

    Taken on another level
    this is not a feature of technique
    or an occasional occurrence
    but a steady aspect
    of a life lived fully.

    The symbol of the central pillar
    also relates to the spine of the body
    which a fundamental aspect
    of the direct experience of self
    with a muscular activity
    deeper than thought
    with its characteristic familiar tension patterns

    Sometimes in meditation
    it relaxes fully
    subtle efforts and strivings are are dropped
    opening up a more expansive sense
    of self and no-self at once

    Besides meditation and contemplation
    One can take up "Don't be Consistent"
    as a practice
    in a variety of ways.
    Perhaps you know some.

    A teacher / guide
    once gave me a simple contemplation assignment,
    an "experiment" in the school of myself:
    Every day, do something "out of character"
    (the nature of this act was left completely open-ended)
    and then, at the end of the day
    write about it briefly
    and continue to do this
    (for a suitable amount of time, like four months).

    "What should I do with the writing" I asked.
    (a question which turned out to be in character)
    "Nothing, it doesn't matter, as long as you do it".

    This was really interesting
    because I kept doing "different" things
    and then discovering
    that I was still choosing
    in a characteristic way.
    My edges may have shifted
    but the overall outline remained,
    the central pillar.

    But I have to admit
    it was - usually - fun!

    It's satisfying to go beyond oneself
    but one's intent often turns back on itself.

    Where do you encounter your edges and limits?
    What are some ways to take this compassionately
    and yet not write yourself a pass,
    so that the suffering may be useful?

    Its a paradox of taking things seriously
    and lightly, at the same time

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