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    The theme for today is "Dark Edges"

    It's spring time now, where we live
    light is returning, days are warming
    and things are coming back to life.
    It's a relief, after the dark cold days of winter.

    I hope we all find ways to soak it in,
    to absorb the "new normal" of warmth and opening.

    We may feel enlarged,
    a greater dynamic range of experience,
    of feelings, colors, temperatures.

    We can use this support of nature
    and this openness and distance
    to explore or play with its complementaries.

    Life has difficult and chaotic aspects
    Much as our cultural myths of progress and enlightenment
    tempt us to believe that everything can be dealt with
    if brought into the light of reason.

    or our counter-cultural myths of detachment and acceptance, too, I suppose

    These are off-the-map areas:
    by their nature
    not already simplified and systematized.

    So we're permitted to ramble,
    to tell stories,
    to do things in indirect and confusing ways.

    Which might be a way to not "manipulate" ... ?

    Every life, it seems
    has dark corners within it
    and a dark periphery "outside" it.

    This holds for individuals
    and for families, groups, and larger communities
    including, perhaps, our species.

    Could we just ignore the dark edges and corners?
    It seems this isn't a good idea:
    when we stay in the comfort zone
    and don't explore the edges
    the unknown and dark aspect seems to slowly grow
    and the circle of light contract.

    In ancient times people explored the world
    and made maps to guide other explorers.
    At the edge of the map was the unknown
    and the map-maker might place a colorful illustration:
    "Dragon's be here".

    I learned to write instructions for a computer
    in simpler days.
    It was a revelation to learn
    there was a language to cause the computer
    to do whatever I said.  What a power to have!

    What if I tell it things that don't make sense?
    Can I cause it damage?
    "Don't worry!"  the instructors said.
    "It's activity might be meaningless, but harmless".

    Later I learned it was entirely possible
    to write instructions
    that would "crash" the system:
    A state in which the computer needed extra help
    to get started again.
     
    It stopped listening.
    You had to go to where it was physically
    and push a button to make it re-start.

    Some other people learned this
    and they tried it, and that disturbed other people
    who might become angry at them.

    So they figured out a clever trick:
    To make a program that said
    "Don't run me"
    and leave it around for OTHER people to run.

    And this reminded me of family lessons I'd learned earlier:
    a child learns how to "crash" the family system.
    And then learns it's usually not a good idea

    and feels a sense of fascination and dread when it happens,
    the beginning of a more complex personality
    that both likes and doesn't like the potentials
    of bigger worlds they are part of,
    whether it's a relationship like a marriage
    or a community.

    Some people are compelled to make trouble,
    whether in the communities of the digital world
    or in "real" life.

    I don't pretend to understand their motivations.

    Sometimes people "get into trouble" in one way
    to get out of trouble in another.

    Perhaps its a way of demonstrating to oneself
    The ability to master disturbing things.
    "See, I can function in these dark places
    even when other people can't.
    That proves I am strong"

    Perhaps it's a form of the ancient myth
    of the Hero who goes beyond the dark edge
    and returns stronger, and with stories to tell.

    The power of authors to tell a story
    is a refined, cultured version of this power
    of coming to terms with edges of our knowledge and power.

    How disturbing ought a story to be?
    Little kids love a story with dark elements
    as long as things turn out well in the end

    and it was just imaginary:
    the reality was they were safe all along
    in the secure setting of the adults' world.

    Adults too love stories
    tragedies, dramas;
    the real-life stories called "the news"
    are not of interest mainly for their factual content.

    Whatever DID happen to that missing airplane?

    If you are fortunate
    you may be a member of a group of adults
    who collectively tell stories
    many of which are beyond you
    and can open you to imagining
    how to see and how to act
    in areas that are currently unknown.

    Non-western traditions have other myths and figures
    about what happens at those edges.
    Some make it clear
    that you are there as a learner or traveler.

    There's a creature called a Guardian
    who stands at the edge of a dangerous zone
    if you are not ready to pass through the gate to that zone
    the Guardian will test you,
    and this may hurt,
    but not nearly as much as what would happen
    if you go through unprepared:
    in this sense the Guardian is looking out for your safety.

    And for the dignity of what's on the other side

    Poets and storytellers
    also help remind us
    that the dark, the unknown,
    and also, interestingly, the seemingly useless

    are repositories of values
    not already exploited by our systems and egos
    that may hold buried gold or lost treasures.

    The journey "off the map" is often a personal one
    beset by uncertainty

    spurred on by curiosity
    or restlessness
    or some un-asked-for necessity

    The poet David Whyte
    expresses some of this in his poem


    The Winter of Listening

    All this petty worry
    while the great cloak
    of the sky grows dark
    and intense
    round every living thing.

    What is precious
    inside us does not
    care to be known
    by the mind
    in ways that diminish
    its presence.

    What we strive for
    in perfection
    is not what turns us
    into the lit angel
    we desire,

    what disturbs
    and then nourishes
    has everything
    we need.

    What we hate
    in ourselves
    is what we cannot know
    in ourselves but
    what is true to the pattern
    does not need
    to be explained.

    Inside everyone
    is a great shout of joy
    waiting to be born.


    Stories like this
    bring an encounter,
    a live experience,

    not an explanation.

    Stories contain, or array us in relation to
    the dark edges of uncertainty:
    Answers finish things.

    A story is alive, as long as it's not finished.

    What are some of YOUR living stories?

    Ones that are new,
    ones that are old and familiar and still alive;
    ones that are interesting to other people
    but you're not really sure about?

    Especially ones that show their life
    by not making sense,

    where it is you that stand
    at the fertile or disturbing gap
    of being the Sense Seeker
    or the Sense Maker?

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