The Guardian for this meeting was Agatha Macbeth. The comments are by Agatha Macbeth.

Bleu Oleander: 's current display-name is "Bleu".
Bleu Oleander: hi Tura
Tura Brezoianu: hi Bleu
Tura Brezoianu: nice exhibition
Agatha Macbeth: She's making an exhibition of herself
Bleu Oleander: a lot of interesting images today
Agatha Macbeth: The art of eden
--BELL--
Bruce Mowbray: 's current display-name is "Bruce".
Bleu Oleander: hiya Bruce
Agatha Macbeth: Brucie!
Bruce Mowbray: Hi, Bleu. Hi, aggers. Hi, Tura.
Bruce Mowbray: Oh MY!
Agatha Macbeth: Indeed
Bruce Mowbray: Hi, Mick.
Bleu Oleander: hey Mick
Agatha Macbeth: G'day Mick
Mickorod Renard: wait for meeeee!
Agatha Macbeth: Stop standing on Tura :p
Mickorod Renard: Hi
Bleu Oleander: hi Eliza
Eliza Madrigal: whoa nice, ty Bleu
Agatha Macbeth: And here's our Liz
Agatha Macbeth: Now we can start
Eliza Madrigal *just* finished the chapter
Bleu Oleander: yw!
Bruce Mowbray: Hi, Eliza.
Bleu Oleander: just a few of the images mentioned in this chapter
Mickorod Renard: Hi Eliza
Mickorod Renard: sorry Tura
Agatha Macbeth: Art for Eve's sake
Bleu Oleander: she was quite the inspiration
Bleu Oleander: Adam too
Agatha Macbeth: Fig leaves much in evidence
Bleu Oleander: shame played a big role
Eliza Madrigal: maybe it wasn't an apple but a fig :)
Agatha Macbeth: Shame
Bleu Oleander: actually just says a piece of fruit
Eliza Madrigal: yes
Bleu Oleander: apples were a later interpretation
Agatha Macbeth: Could have been an avacado
Bleu Oleander: ha!
Mickorod Renard: I wonder whether the word fruit may have been a metaphore?
Eliza Madrigal: funny to imagine
Bruce Mowbray: Could also have been another sort of "knowledge" altogether.
Bruce Mowbray: it came from the tree of knowledge, after ll.
Bruce Mowbray: (of good and evil).
Bleu Oleander: so why would the gods not want humans to have knowledge?
Mickorod Renard: fruit could be the product of some comming together?
Eliza Madrigal: interesting question... metaphor for? taking the reward first?
Agatha Macbeth: Same reason the Church didn't?
Bruce Mowbray: In Greek mythology, they didn't want u to have fire, either.
Bruce Mowbray: us*
Bleu Oleander: no knowledge of good and evil ... how were they supposed to decide to be good then?
Bruce Mowbray: Yes, that's the conundrum.
Bleu Oleander: they were set up LOL
Tura Brezoianu: The same thing happens in the Babel story, God wanting to keep Man down.
Eliza Madrigal: "don't take what was not given"
Mickorod Renard: what sort of information would we want to protect our children from?
Eliza Madrigal: Is* not was
Mickorod Renard: after all we are playing as Gods
Mickorod Renard: being*
Agatha Macbeth: And failing miserably for the most part
Mickorod Renard: :)
Mickorod Renard: we would want to protect them from porn and fire and maybe drugs
Eliza Madrigal: our example was to banish anyone who disagrees with us...
Bleu Oleander: the Durer etching behind Mick is the one that Greenblatt says became the definitive Adam and Eve
Eliza Madrigal giggles
Agatha Macbeth: Not from porn! :P
Bruce Mowbray: 1504?
Mickorod Renard: :)
Agatha Macbeth: 1504?
Bleu Oleander: when it could be printed
Agatha Macbeth: Ah
Eliza Madrigal: that's the image I didn't know I had in my head, but yep
Bruce Mowbray: Yeahm the etching.
Bleu Oleander: up until then, you had to visit the individual paintings
Bruce Mowbray: Yeah.
Bleu Oleander: amazing to think, if the internet had existed back then, how fast images, ideas would have spread
Agatha Macbeth: Viral Da Vinci
Eliza Madrigal: and maybe not been settled on as definitive so easily
Bleu Oleander: yes
Bleu Oleander: lots of A and E blogs LOL
Eliza Madrigal: "I'm with her"
Bruce Mowbray tries to imagine Gutenberg sending Tweets . . . intead of printing.
Bleu Oleander: ha!
Tura Brezoianu: Speaking of which, I just remembered I wrote this a while back: http://turabrez.blogspot.co.uk/2015/12/god-bored.html
Eliza Madrigal clicks
Mickorod Renard: cool, can we have a mo to look?
--BELL--
Bleu Oleander: fun Tura
Eliza Madrigal: this is hilarious
Eliza Madrigal: 'unfollow that guy' haha
Bruce Mowbray: Great post, Tura!
Mickorod Renard: nice, sort of brings it up to date
Eliza Madrigal nods nods
Bleu Oleander: really funny book by LA screenwriter, "The Story of God" by Matheson
Mickorod Renard: see, that bit of genesis is too long
Eliza Madrigal: which image are supposed to be the androgynous A & E?
Mickorod Renard: I likes this chapter tho, I like the art and getting into Durer
Eliza Madrigal: *is
Bleu Oleander: this one is from the Catacombs ... really old
Eliza Madrigal: ah, okay I thought so... thank you
Bleu Oleander: this is a detail from the Bernward Doors
Agatha Macbeth: Not Erin Doors
Mickorod Renard: the big door is impressive, I might go and have a look at that in the wood
Bleu Oleander: this is an image of the doors ... telling the whole story
Agatha Macbeth: 'This is the end...'
Bleu Oleander: this one shows Adam as a scull
Bleu Oleander feels like Vanna White LOL
Agatha Macbeth: What's Jesus doing there?
Mickorod Renard: hes a bit down trodden at that stage
Eliza Madrigal: haha
Bleu Oleander: Adam brought death into the world
Bleu Oleander: and is often depicted this way as a scull
Agatha Macbeth: What a party pooper
Eliza Madrigal: A and E were on a vegan diet
Bleu Oleander: Jesus is the "new" Adam
Bleu Oleander: his lineage is traced back to the old Adam in the Gospel of Luke
Agatha Macbeth: Back to begetting
Eliza Madrigal: :))
Bleu Oleander: one reason Augustine thought that in some way Adam and Eve had to be real
Mickorod Renard: Jesus was tempted by the devil I believe,,was it in the wilderness?
Bleu Oleander: yeah
Agatha Macbeth: Yep
Bruce Mowbray: For Matthew, Jesus is the new Moses.
Eliza Madrigal: hm
Bruce Mowbray: (geneaology going back to Abraham).
Eliza Madrigal: ah
Bleu Oleander: yes, many variations
Mickorod Renard: do you think there is a greater chance that a woman would be tempted easier..just by natural selection?
Agatha Macbeth: 0.0
Bruce Mowbray: I don't understand, Mick.....
Mickorod Renard: for eg,,a survival instinct?
Bleu Oleander: Mick, that's a shocking question LOL
Eliza Madrigal: if Jesus was the new Adam, didn't he also need an Eve? Was eliminating Eve (in the interpretations he wasn't coupled) the way he 'won' ? :)
Mickorod Renard: man more agressive..women have to use more submissive ways?
Bleu Oleander: just have to look at our congress ha!
Tura Brezoianu: or perhaps women think with their brains, men with their...
Bleu Oleander: Mary became the new Eve ...
Agatha Macbeth: Yes, very representative
Bleu Oleander: ha! Tura
Mickorod Renard: But that is mother Mary?
Bleu Oleander: yes
Bleu Oleander: Mary took over as the mother
Eliza Madrigal: but how does that work? it isn't really the same in terms of relationship to jesus
Bleu Oleander: no not the same
Eliza Madrigal: I mean, if being technical
Mickorod Renard: and yet, there is Mary Magdelene..who was in some respect his favorite..yet the church tried to make her look bad
Bleu Oleander: nothing in the story is technical LOL
Eliza Madrigal: that's what I was thinking of Mick
Eliza Madrigal: true enough!
Bleu Oleander: right, but Mary became the focus
Bleu Oleander: smear job done on Mary Magdelene :)
Mickorod Renard: would they have been trying to do a sort of reversal,,like reverting back to original in reverse
Eliza Madrigal: :)
Bruce Mowbray agrees, smear job.
Mickorod Renard: like Durer..I have been practicing painting women so I can do a decent painting of Maary Mag
Bruce Mowbray: Wwow! That's wonderful, Mick.
Bleu Oleander: you'll have to show us Mick
Mickorod Renard: I can't say i have achieved that state yet
--BELL--
Bleu Oleander: by next week?
Mickorod Renard: he he
Eliza Madrigal grins
Eliza Madrigal: It feels like a lot of the shame was kept... else one would expect modern christianity to be a liberating and celebratory faith
Bleu Oleander: agree
Bleu Oleander: especially the Catholics
Mickorod Renard: maybe if u take the church out,,beleive the smear job and then assume that mary Mag was the woman fallen that Jesus saved in a reversal of Eve falling and taking Adam down with her
Bruce Mowbray: Shame is about what we ARE; guilt is about what we DID.
Eliza Madrigal: Mick's gospel :)
Mickorod Renard: Its handy to have a concience
Bleu Oleander: hehe
Agatha Macbeth: St Mick
Mickorod Renard: otherwise we would be like Trump
Bruce Mowbray: I like Mick's hermeneutic (interpretive method).
Bleu Oleander: now that's shameful
Mickorod Renard: :) ty
Eliza Madrigal: :)
Bruce Mowbray: :) yw.
Tura Brezoianu: So Eve is split into the two Marys, one pure, giving birth to Jesus, and one corrupted, to be saved by Jesus. (Just rambling...)
Bleu Oleander: :)
Bruce Mowbray: One thing that makes the A & E story so universal is its variety of possible interpretations.
Mickorod Renard: well, its a thought
Eliza Madrigal: aha, interesting take
Bruce Mowbray: Great rambling, Tura!!
Eliza Madrigal: so all of mankind, as bride of christ, is new eve
Mickorod Renard: If its a story like the others in the Bible,,the story talks to your own circumstances
Eliza Madrigal: in this scheme :)
Bruce Mowbray: That's really quite insightful . . .
Bruce Mowbray: (@ Tura).
Bruce Mowbray: and @ Eliza, too.
Bleu Oleander: well, I think evolution changed the story
Bleu Oleander: there is no "first family"
Bruce Mowbray: Evolution changed everything!
Eliza Madrigal looks around
Bruce Mowbray: (like the printing press, sort of)
Mickorod Renard: well...
Bleu Oleander: going back 185 million generations, you were a fish :)
Eliza Madrigal: who adam didn't name
Bruce Mowbray: :)
Bleu Oleander: LOL
Eliza Madrigal: nameless fish
Bruce Mowbray: Maybe there were no lakes in Eden.
Mickorod Renard: with reptilian cortex?
Eliza Madrigal: :)
Bleu Oleander: pretty amazing to think that at no time did any offspring look substantially different than its parents
Mickorod Renard: there must be a big picture
Tura Brezoianu: There is the concept of mitochondrial Eve and Y-chromosomal Adam.
Bruce Mowbray: The tree of evolution is an enormous bush.
Mickorod Renard: thats a point Tura
Bleu Oleander: yes Tura ... but they go back to different times
Mickorod Renard: Bruce, were you meaning that in a sexual context?
Bruce Mowbray: Too many advantages to ignor sexual reproduction....
Bruce Mowbray: No, I meant that there are many many many off shoots.
Bruce Mowbray: Not just branches.
Mickorod Renard: ah. ty
Bruce Mowbray: yw :)
Bruce Mowbray: It fascinates me, though, that the old myths persist. . .
Eliza Madrigal nods
Eliza Madrigal: :)
Mickorod Renard: Bruce, that idea could be that the route of furthering evolution was by taking the fruit from the bush?
Bruce Mowbray: like archetypes.
Eliza Madrigal nods... was just pondering the fractal nature again
Bruce Mowbray: Wow. Fascinating question.
Bleu Oleander: George Washington chopping down the cherry tree ... myth that hangs on :)
Bruce Mowbray: But, Mick, you question sort of makes two opposing paradigms collide.
Bruce Mowbray: +r
Mickorod Renard: how do u mean Bruce?
Bruce Mowbray: Well, if you mean the evolution of human knowing....
Bruce Mowbray: Then yes.
Mickorod Renard: yes, thats what I was thinking
Bleu Oleander: cultural evolution?
Bruce Mowbray: but otherwise, the Garden of Eden and evolution are two almost opposite ways of viewing reality.
Bruce Mowbray: For one thing, evolution works from the bottom up,
Mickorod Renard: a bit like a child becoming adult,,and having to take responsibility ..prior to that kept as an innocent
Bruce Mowbray: wheres the Garden of Eden is definitely a top - down system.
Bruce Mowbray: whereas*
Eliza Madrigal: there seems to be a false notion that there wouldn't be inherent 'meaning' without the divine story
Mickorod Renard: yes, if kept in the garden mankind would not have developed
Bruce Mowbray: Yes, that's a good parallel, Mick.
Bleu Oleander: I think we make our own meaning
Bruce Mowbray: For sure. So, would you advise Adam and Eve to eat more apples?
Mickorod Renard: yes, for sure
Bleu Oleander: sometimes we need a myth or two to do that
Mickorod Renard: we are on our own now
Eliza Madrigal: I think there is inherent beauty, then the meaning/stories/mythologies is sort of an effect
--BELL--
Bleu Oleander: inherent beauty?
Bruce Mowbray loves "inherent beuty"
Bruce Mowbray: beauty, too.
Bleu Oleander: don't we make our own beauty too?
Eliza Madrigal: maybe wonder would be a better word? awe for the way things are, mysterious, etc
Eliza Madrigal: but beauty feels right to me
Bleu Oleander: definitely varies by culture, beauty
Bleu Oleander: from your perspective yes
Bruce Mowbray: The multiple symmetries of nature are not there y accident.
Bruce Mowbray: by*
Bleu Oleander: well accident is a human words
Eliza Madrigal: yes all these 'gorgeous' patterns
Bleu Oleander: they are gorgeous to us
Eliza Madrigal: mhm
Bleu Oleander: maybe not to your dog
Mickorod Renard: I did ponder the other end once,,ie death..a sort of collapsing star.....at some stage in ones life its better to be off without a bad concience....so the thought of redemption is good
Bleu Oleander: its species specific
Bruce Mowbray wonders which culture would not find flowers to be beautiful.
Tura Brezoianu: God might have created all the living creatures by directing the evolution, and created man that way from the apes, then breathed in the spark that made man sentient. (Making my own meaning...)
Bleu Oleander: look at music
Mickorod Renard: I like that idea Tura
Bleu Oleander: different cultures appreciate different art and music as beautiful ... foods too
Eliza Madrigal: sort of a mirroring
Bruce Mowbray once again loves Tura's take on things.
Eliza Madrigal: but there is a drive or attention 'toward'
Bleu Oleander: Tura's take is a great example of making meaning for herself
Bruce Mowbray: :) Go for it, Bleu!
Bruce Mowbray: (and Tura).
Bleu Oleander: I continually make my own meaning :)
Eliza Madrigal: :)
Mickorod Renard: I oonce thought that if man were to live for another billion years he should be able to reate a universe by then..and then create his own lineage by going back in time
Bleu Oleander: that's one theory Mick
Bleu Oleander: that we are that creation
Bruce Mowbray nods.
Mickorod Renard: the beginning and the end
Bruce Mowbray: Back to the future.
Mickorod Renard: there is that chi ri thingy
Eliza Madrigal: adam and eve, although told as a cautionary tale, actually reinforceprocreation ... one has the sense that "man ought not be alone" when gazing at even these paintings
Tura Brezoianu: chi ri?
Bruce Mowbray: In existentialist Christian interpretation, each of us is a re-picturing (re-enactment) of the Garden of Eden. . . as we make choices, we define mankind.
Agatha Macbeth: Chi Rho?
Agatha Macbeth: As in Constantine?
Agatha Macbeth: In hoc signo vinces and all that
Bruce Mowbray: "By this sign..."
Agatha Macbeth: Bye Bleu
Bruce Mowbray: THANK YOU< Bleu!!!!
Eliza Madrigal: so back to the 'code' idea
Mickorod Renard: maybe thats not the one I meant ,,there is one that means the beginning and the end
Mickorod Renard: bye Blue
Bruce Mowbray: Alpha Omega.
Mickorod Renard: ah yes
Eliza Madrigal: start at the end :)
Bruce Mowbray: !!
Agatha Macbeth: Chi rho is a combo of what looks like P and X
Mickorod Renard: true, sorry
Agatha Macbeth: But is actually R and KH
Bruce Mowbray: (also a city in Egypt -- Cairo).
Mickorod Renard: the Alph Omega thing is pretty Christian
Agatha Macbeth: It's all Greek eh
Bleu Oleander: 's current display-name is "Bleu".
Agatha Macbeth: WB Bleuji
Eliza Madrigal: The labarum (Greek: λάβαρον) was a vexillum (military standard) that displayed the "Chi-Rho" symbol ☧, a christogram formed from the first two Greek letters of the word "Christ" (Greek: ΧΡΙΣΤΟΣ, or Χριστός) — Chi (χ) and Rho (ρ). It was first used by the Roman emperor Constantine the Great.
Bruce Mowbray: WB, Bleu!
Eliza Madrigal: wb Bleu :)
Tura Brezoianu: wb!
Bleu Oleander: ha! the SL gods punished me
Eliza Madrigal laughs...
Agatha Macbeth: Thought you'd forgotten your pictures!
Eliza Madrigal: consequences
Bleu Oleander: yep
Mickorod Renard: Its a great book tho
Bruce Mowbray is happy to see Bleu back, so he can THANK HER for this great posters!
Bleu Oleander: yw
Bruce Mowbray: these*
Mickorod Renard: and this chapter,,reading about Durer reminded me od phenemenology
Bleu Oleander: I have a few more for thursday
Bruce Mowbray: [`·.] APPLAUSE!! [.·´]
Bruce Mowbray: [`·.] APPLAUSE!! [.·´]
Agatha Macbeth: Yay
Mickorod Renard: yayyyy
Eliza Madrigal: **********Applause!!**********
Eliza Madrigal: **********Applause!!**********
Bleu Oleander: well now I must go ... and take my photos :)
Eliza Madrigal: One line I highlighted from the chapter was... "As a Christian he believed in a single truth for all humankind, but that truth did not erase all directions."
Mickorod Renard: we are nearly half way through
Mickorod Renard: bye Bleu
Bruce Mowbray: Some of would probably have been burned as heretics in the Middle Ages for stuff we've said here today -- but I love it.
Bleu Oleander: take care all
Eliza Madrigal: so there are some benefits to being alive in these 'interesting times'
Eliza Madrigal: bye Bleu, tc
Agatha Macbeth: Aww
Mickorod Renard: yes, noticed that Eliza
Bruce Mowbray: THANK AGAIN, Bleu!

Agatha Macbeth: Place looks bare now
Bruce Mowbray: Time to be a-scrping.
Mickorod Renard: Thankyou Bleu, and Ags for hosting
Mickorod Renard: #
Bruce Mowbray: scraping*
Mickorod Renard: Bye Brucei
Eliza Madrigal: bye Bruce :)
Tura Brezoianu: Interesting times are the best ones
Mickorod Renard: ne er a truer word said
Mickorod Renard: he he
Eliza Madrigal: there is something to withholding meaning as well as judgment perhaps
Eliza Madrigal: or if it is close to the same thing.... to be able to gaze with detached curiosity
Mickorod Renard: how do u mean Eliza?
--BELL--
Mickorod Renard: You mean ..throw a scrap and attract more
Tura Brezoianu: yes, we attach meanings sometimes without even noticing we're doing that
Eliza Madrigal: yes exactly
Agatha Macbeth: Feeding the fish
Eliza Madrigal: :)
Mickorod Renard: we also miss lots by not taking notice
Eliza Madrigal: so life is more pleasureable if able to entertain lots of contradictions and leave more space than definition
Eliza Madrigal: true too
Mickorod Renard: ah yes, like philosophy, if we go asking questions the answers offer more questions
Eliza Madrigal: and can learn to enjoy that neverendingness
Eliza Madrigal: I was trying to write something the other day and heard a kind of intuition to "resist the urge to give backstory"
Agatha Macbeth: Maybe it was George
Mickorod Renard: thats a tricky one
Eliza Madrigal: and it became so clear that that was weighing down my writing
Mickorod Renard: u dont want the audience to wander off
Agatha Macbeth ponders heavy writing
Eliza Madrigal nods
Eliza Madrigal: you can set a stage without telling every detail
Mickorod Renard: offer scraps to enthrall but keep em hungry
Agatha Macbeth: No need to write a text book
Eliza Madrigal nods... and every time you explain you're sort of locking in an interpretation
Eliza Madrigal: yet, one feels somehow obligated to
Agatha Macbeth: I think people tend to fill in their own gaps
Eliza Madrigal nods
Agatha Macbeth: That tea is lasting Mick
Eliza Madrigal: :)
Eliza Madrigal: Mick's tea is the new onigokko tail
Mickorod Renard: yes, is not really quenching my thirst
Agatha Macbeth: The new what?

Agatha Macbeth: onigokko
Mickorod Renard: ok, before I go I will try and get it removed
Eliza Madrigal: haha, I shouldn't have triggered that when unprepared ^.^
Agatha Macbeth: stop
Agatha Macbeth: onigokko
Eliza Madrigal: stop
Eliza Madrigal: onigokko
Agatha Macbeth: Altogether...
Eliza Madrigal: Tura are you an oni protester? :)) we have a few
Eliza Madrigal: stop
Eliza Madrigal grins
Agatha Macbeth: Tu is the new Korel
Tura Brezoianu: I have one, but I never think to put it on
Agatha Macbeth: I just noticed one of us is dreamy and one is a dreamer
Eliza Madrigal: :)

Mick gives us some pics of his RL art work

Eliza Madrigal: oh, nice Mick
Eliza Madrigal: I love your shadow work
Mickorod Renard: its a bit richer in rl
Agatha Macbeth: Shame we're not
Eliza Madrigal: your paintings tend toward the lush?
Eliza Madrigal: we're rich in appreciation :)
Mickorod Renard: this is a copy of a perez
Agatha Macbeth: Oh I say
Mickorod Renard: I just like the brush strokes
Agatha Macbeth: What's this Mick?
Mickorod Renard: an oil
Agatha Macbeth: One of yours?
Mickorod Renard: its abou16" x 20" I think
Mickorod Renard: yes
Agatha Macbeth: Wow
Agatha Macbeth: She's very Egyptian looking
Mickorod Renard: ok, thats it
Agatha Macbeth: Reminds me of Akhenaten
Mickorod Renard: I get fed up with them after a while..I never really finnish them
Eliza Madrigal: when I see these, I fill in the images of the dreams you've shared
Tura Brezoianu: these are great
Agatha Macbeth: They look pretty finished to me
Mickorod Renard: ty
Eliza Madrigal: they do
Eliza Madrigal: what would be left?
Mickorod Renard: things like hair or more contour to the face I fall short on,,they just are practice peices
Eliza Madrigal: hope you share the Magdalene one day
Agatha Macbeth: Yeh pass her round :)
Mickorod Renard: thats another perez copy,,if u buy his you pay £20,000
--BELL--
Eliza Madrigal: deepest appreciation is probably to spend the kind of time you have
Agatha Macbeth: Cheap at half the price
Mickorod Renard: he he
Mickorod Renard: the first one I gave I did in about 3 hours
Eliza Madrigal: wha?
Mickorod Renard: Perez style is quick
Agatha Macbeth: Knock up a quick Perez
Mickorod Renard: more expressionist
Eliza Madrigal: I like to try to paint abstracts, but an image always emerges
Agatha Macbeth: Or just throw your dinner at the wall and you've got a Jackson Pollack
Eliza Madrigal: :)
Mickorod Renard: try looking at Franz Marc
Eliza Madrigal likes Pollack
Eliza Madrigal: want to stay in the no image ground as long as possible, but ultimately something comes forward, so Pollack achieved just staying out there
Agatha Macbeth: Wasn't much cop at driving
Mickorod Renard: my worst problem is my bad case of colour blindness
Eliza Madrigal: that has to be a challenge Mick
Eliza Madrigal: you just go by labels then?
Mickorod Renard: its so frustrating
Agatha Macbeth: True Mick, bit like writing a tone deaf symphony
Mickorod Renard: yes
Eliza Madrigal: :)
Mickorod Renard: I keep seperate selections of colour for certain jobs
Eliza Madrigal: ah, palate ranges?
Agatha Macbeth: This is where painting by numbers is great
Eliza Madrigal: :)
Mickorod Renard: but quite often Morg turns up and Ive painted in a complete wrong colour
Agatha Macbeth: About the only form I can do
Eliza Madrigal: not good for man to paint alone
Eliza Madrigal giggles at herself
Mickorod Renard: grin
Agatha Macbeth: See, wives are useful sometimes
Eliza Madrigal: :) time for me to fly....
Eliza Madrigal: ♥ ♥ ♥
Eliza Madrigal: thanks for this session
Agatha Macbeth: Lady in red
Mickorod Renard: bye folks
Agatha Macbeth: Art for art's sake
Eliza Madrigal waves warmly
Tura Brezoianu: thanks all
Eliza Madrigal tries to fly under the archway
Agatha Macbeth: Be careful out there
Eliza Madrigal: ouch
Agatha Macbeth: Hehe
Tura Brezoianu: goodnight folks
Eliza Madrigal: sweet dreams
Agatha Macbeth: Bye Tu