2009.12.15 13:00 – Epochic Observation

The Guardian for this meeting was Mickorod Renard.

Mickorod Renard: hello Liza
Liza Deischer: hi Mick
Mickorod Renard: you seem to be very regular here since your first visit?
Mickorod Renard: I guess you like it?
Liza Deischer: well, thats an interesting 'HI'
Liza Deischer: well, i want to give myself some time
Liza Deischer: another week
Liza Deischer: there are things i like
Liza Deischer: and some tings I dont
Mickorod Renard: good..I guess that was something I found usefull here,,taking the time out
Liza Deischer: btw the last thing doesn't refer to the group
Liza Deischer: but i have problems with a chronic fatigue
Liza Deischer: being here an hour is hard on me
Mickorod Renard: ouch,,thats not good
Liza Deischer: but at the same time im not able to visit my own group in rl
Mickorod Renard: hopefully you will get over the fatigue
Liza Deischer: which i actually would like better
Liza Deischer: because they have an tradition, a path I want to follow
Mickorod Renard: that sounds interesting
Liza Deischer: But i have heard interesting things here
Liza Deischer: so..... so far so good
Liza Deischer: :)
Mickorod Renard: grin,,thats great

Pema Pera: "when hell freezes over" . . .
Mickorod Renard: it looks like the Malta trip is filling up nicely
Pema Pera: Malta won't freeze over though :)
arabella Ella: its cold here now
Mickorod Renard: hopefully not
Pema Pera: can you remind usof the average temperature in January in Malta, Arabella?
arabella Ella: probably around 15 - 18 but often feeels colder due to humidity especially indoors or near water
arabella Ella: so I suggest you bring along some warm clothes too :)
Pema Pera: hahaha, everybody has a different idea of "cold" :)
Mickorod Renard: I will wear all mine cos I am not bringing luggage
Agatha Macbeth: Fael told me yesterday it's minus 14 C where she is
arabella Ella: ouch
arabella Ella: I experienced minus 20 once and it was hell
Agatha Macbeth: Indeed
Mickorod Renard: is it a special tonite Pema,,with Wol?
Pema Pera: Mick, I don't know whether you had planned any particular topic for today, to talk about -- if not, Calvino and I just started to talk about phenomenology (especially the epoche), 12 hours ago, and we could continue now
Pema Pera: the theme session with Wol has been postponed one week
Agatha Macbeth: OK by me
Pema Pera: so we could make it an "informal theme session" on epoche
Mickorod Renard: that sounds fun, as I have not been able to make the regular Phenem sessions
Pema Pera: (after we explain what "epoche" means)
Geoff Baily: interesting
Pema Pera: if that's okay
Mickorod Renard: so what is this epoche?
Pema Pera: very briefly, and don't hesitate to ask further of course, the epoche was introduced by the philosopher Husserl, about a hundred years ago
Mickorod Renard: ty
Pema Pera: the word is Greek and means something like "suspending judgment"
Pema Pera: and it is a bit like the Cartesian doubt, but also quite different
Mickorod Renard: I thought it meant a period of time?
Pema Pera: that is, Descartes tried to doubt the existence of the world
Agatha Macbeth: Epoch?
Pema Pera: yes
Pema Pera: Husserl did not address the question of whether or not the world exists (whatever that might mean!)
Pema Pera: but rather Husserl tried to be a keen and critical observer
Pema Pera: and he noticed that when we look at an object, say a cup in front of us, two things happen, simultaneously:
Pema Pera: 1) we recognize the presence of an object, namely a cup
Pema Pera: 2) we take the cup to be real, as a material object, existing there right in front of us
Pema Pera: and Husserl told himself: the two are separate
Pema Pera: for example, in a dream or movie, the two don't have to go together
Pema Pera: in a movie you know that the objects you see are not real
Pema Pera: in a dream yuo may or may not know, depending on the dream
Pema Pera: So, after this quick intro:
Pema Pera: the epoche is a kind of experiment in which you teach yourself to be aware of the distinction between 1) and 2)
Pema Pera: perhaps I should stop here, and let Calvino comment and/or ask questions, and then all of us?
--BELL--
Pema Pera: (Husserl's school of philosophy is called phenomenology, by the way; the study of phenomena qua phenomena, the study of phenomena as such)
Pema Pera: ((oops))
Calvino Rabeni: It makes sense to me as a kind of exercise
Calvino Rabeni: Pherpahs what you present is only the beggining stage of a larger framework
Calvino Rabeni: it doesn't really make sense to me as a methodology for getting closer to understanding reality
Calvino Rabeni: So I keep thinking, is there more after that exercise?
Calvino Rabeni: That seems like a preparation or a beginning
Pema Pera: sure, there is a lot more, but the epoche is a firm base to start from
Pema Pera: an attitude, or gesture you could stay, to start in a minimally judgmental way
Calvino Rabeni: DOes it consider, inits methodology, the nature of the base
Calvino Rabeni: After you cross the river, do you discard the boat?
Pema Pera: not in a theoretical analysis kind of way, no (first question)
Pema Pera: and no (second question)
Calvino Rabeni: it seems to me to have an observational stance that carries a lot of metaphysical or ontological commitments with it
Pema Pera: how so?
Calvino Rabeni: THe idea of what is is to be an observer as opposed to a participant
Calvino Rabeni: the selection of paradigm objects to observe, like the cup or the chair
Calvino Rabeni: The idea that observation might have something to do with perception, mainly
Pema Pera: the way I see it is that the epoche is a kind of laboratory tool -- it invites us to use it right where we find each other, without *any* metaphysical assumptions
Calvino Rabeni: Which may be imported into pheno from its surround
Pema Pera: we find ourselves here, in this world, with our presumed identities, and now we are going to investigate it further
Calvino Rabeni: it seems to suggest a discipline of looking with the senses
Pema Pera: no, any phenomenon is game
Calvino Rabeni: empiricism seems laden with assumptions
Pema Pera: memories, fantasies, feelings, thoughts, also sense perceptions
Calvino Rabeni: I agree it could be inclusive of that
Pema Pera: it *is*
Pema Pera: for Husserl
Pema Pera: it is minimal in assumptions
Pema Pera: and yet it is a kind of "experimental philosophy"
Pema Pera: very unusual!
Calvino Rabeni: but perhaps when it is taught there should be an effort to deconstruct that notion of empirical observation that people will bring to it by default
Pema Pera: absolutely
Agatha Macbeth: Hi Yaku
Pema Pera: and to teach it is not easy
Yakuzza Lethecus: hey there
Liza Deischer: hi Yaku
Pema Pera: it typically takes a few months of concerted effort
Pema Pera: and I'm not sure how possibly it is to teach/share it in SL . . . .
Geoff Baily: Hi Yakuzza
Pema Pera: just talking about it for an hour won't do . . . .
Pema Pera: . . . but it can give you a hint
Pema Pera: make you curious enough to explore it
Calvino Rabeni: "experimental" typically implies, you can observe without participating - at least, in the pre-quantum metaphysics of Husserl
Pema Pera: nonono, no baggage here
Pema Pera: just start with what is given
Pema Pera: and *then* look more closely at all assumptions
Pema Pera: including what it means to observe
Pema Pera: observe that too
Pema Pera: observe the subject-object structure too
Pema Pera: and perhaps find that that, too, is relative, can be dropped
Pema Pera: no limits!
Calvino Rabeni: at acertain point you would have to "leap in" to break the observational stance
Pema Pera: or "see in" :-)
Calvino Rabeni: difficult if the practice has cultivated a habit of detachment
Calvino Rabeni: the origins of the system in "doubt" are a point of departure
Pema Pera: ah, but detachment can be watched in turn
Calvino Rabeni: but could only be a starting point for another opening
Pema Pera: it shouldn't be a rigid detachment, not dogmatic
Pema Pera: no "doubt" in the epoche!
Calvino Rabeni: but if you watch detachment in a detached way, doesn't that perpetuate detachment?
Pema Pera: it depends
Calvino Rabeni: At some point another energy would have to enter
Pema Pera: it will, if you really watch/see
Calvino Rabeni: I can believe that
Pema Pera: perhaps we should take one step back, if I may:
Pema Pera: I consider Husserl in philosophy to have taken a kind of step like Galileo in physics
Pema Pera: if you ask: what did Galileo do?
Pema Pera: you can say: he started modern physics, in some sense (roughly speaking)
--BELL--
Pema Pera: so then there are two ways to speak about Galileo's physics: a) the physics that Galileo himself managed to do; b) the physics that naturally grew out of that, in the next centuries after him. Similarly for Husserl's epoche. Perhaps you are focusing on a), while I am more interested in b).
Calvino Rabeni: I see Husserl as a product of his times - he seemed to want to introduce the 19th-century version of scientific sensibility into philosophy
Calvino Rabeni: along with many other integrators pursuing a similar impulse of integration
Calvino Rabeni: like the surrealists
Calvino Rabeni: and system unifiers of science and spirituality
Pema Pera: that was part of his background, like Newton's background was partly still Medieval, but I'm more interested in what Husserl stumbled upon which was quite different -- everybody had their original motivations, everything is born out of something
Calvino Rabeni: I question whether Pheno is as approproate for the future as it was to Husserl's time
Pema Pera: more so, I would say :-)
Calvino Rabeni: I am very willing to be convince of your point, Pema :)
Pema Pera: it will allow us better to go beyond subject-object split, for example
Pema Pera: by making the subject talk-about-able :)
Calvino Rabeni: that is good
Calvino Rabeni: especially if it can be done without turning the subject into another kind of object
arabella Ella: Hi Wol
Calvino Rabeni: that is one of my concerns with pheno
Geoff Baily: Hi Wol
Liza Deischer: hi Wol
Wol Euler sneaks in silently and waves.
Pema Pera: but I fully agree with you that many philosophers are too rigid in their understanding of the epoche, including many phenomenologist, in my opinion!
Pema Pera: hi Wol!
Wol Euler: so much for silence :) hello everyone
Agatha Macbeth: Hello Wol :)
Pema Pera: exactly, that is the point: to watch the subject qua subject, not as a pseudo object
Calvino Rabeni: when you turn a subject into an object in order to observe it, you have lost it
Pema Pera: as psychologists all do !
Calvino Rabeni: yes
Agatha Macbeth: :)
Pema Pera: you first have to be aware of the mistake you make before you can drop it
Pema Pera: that's the bottom line of the role of the subject in the epoche as I see it
Pema Pera: but I'll shut up now :-)
Pema Pera: Calvino, do you want to say more?
Pema Pera: and then we can let everybody join in!
Calvino Rabeni: surrealism was another deconstructive movement
Agatha Macbeth: Mmm!
Calvino Rabeni: it tried to shake things up by injecting an element of the uncanny
Calvino Rabeni: with the idea that - i think - their current life was complacent
Calvino Rabeni: deconstructive methods share the idea of breaking patterns
Agatha Macbeth: If they're complacent- shake 'em up!
Calvino Rabeni: but differe in the setup and in how new patterns are to be apprehended
Pema Pera: yes, and in a curious way, quantum mechanics did something similar for physics!
Calvino Rabeni: in the postmodern era, the game may be different in a pragmatic way
Calvino Rabeni: people are paranoid enough already, they don't need a little more of that
Calvino Rabeni: if there is a cycle of deconstruction and reconstruction of patterns (which I believe)
Calvino Rabeni: a focus on different parts of that cycle may be appropriate at different times
Calvino Rabeni: I know that's pretty abstract though
Calvino Rabeni: But "doubt" may not have the power it once did, as a starting point for a method of philosophical practice
Calvino Rabeni: It will still work of course :)
Pema Pera: (epoche is NOT doubt ! ! ! !)
Pema Pera: perhaps we should persue this is bit, this is really really central: NOT doubt
Calvino Rabeni: It seems worthwile to pursue yets :)
Calvino Rabeni: Yes
Pema Pera: perhaps you can tell me why you think it is connected with doubt?
Geoff Baily: I am reminded that during neurosurgery the brain can be stimulated directly to poroduce sensations without any obect being present at all!!
Pema Pera: as in dreams, Geoff?
Geoff Baily: *produce
Geoff Baily: yess perhaps
Calvino Rabeni: you start with , doubting the veracity of your constructions, or at least, allowing things to be other than what they seem, or, more, in addition to what they seem
Pema Pera: no, not doubting, but rather watching
Calvino Rabeni: You can add to what they seem, through the method, apparently
Pema Pera: watching how you normally glue two things together
Geoff Baily: I think the reports are that the sensations are very real
Calvino Rabeni: this seems the same discussion of passive vs participative awareness
Pema Pera: if you consider somebody your enemy, you can decide to watch that person AND to watch your view of that person as an enemy, without automatically conflating the two
Calvino Rabeni: basically, how can you "watch" without breaking participative involvement
--BELL--
Pema Pera: you can watch your conviction that something is real, without having to give up that conviction; that is a separate question. Seeing your conviction will make it easier to give up, but you don't have to. Doubt is an option, a possible effect, not the basis or starting point.
Pema Pera: for me that distinction is absolutely crucial
Pema Pera: and yes, what Geoff said is one way to begin to doubt :)
Pema Pera: as an effect
Calvino Rabeni: very important distinction
Pema Pera: sorry again to talk so much :-) -- all that you said was very interesting, Calvino, and important to consider, as context -- I just wanted to make really sure to get the basis correct, at least as I see it
Pema Pera: the historical context is interesting, for sure!
arabella Ella: could it not be the case that both you and Calvino are right Pema?
Calvino Rabeni: I would like to mear more from you on that - basis and history - but I think I'm interested in general comments and questions at this point
arabella Ella: two views, two perspectives?
arabella Ella: two points of view?
arabella Ella: or two interpretations?
Pema Pera: many views, arabella :)
Pema Pera: but important to know in what way they differ
Calvino Rabeni: I don't feel I am "counter" pema or pheno on this
Pema Pera: like the role of doubt
Geoff Baily: Another example is that of the 'phantom limb' after an amputation
Calvino Rabeni: I just want to explore the distinctions
Pema Pera: yes, and thank you for doing that!
Pema Pera: that in itself is phenomenology :)
Calvino Rabeni: :)
Pema Pera: and yes, Geoff!
Calvino Rabeni: THe more perspectives, the better. Reality can handle it
arabella Ella: Pema may I ask you to give us some examples of practical uses of phenomeno today?
arabella Ella: or of epoche?
Pema Pera: robotics
Pema Pera: a place where we have to understand what it is like to be a subject
arabella Ella listens attentively
Pema Pera: in robotics many aspects of phenomenology have been reinvented
Mickorod Renard: interesting
Pema Pera: it would have been much more efficient if they had known about Husserl
Calvino Rabeni: how so, Pema
Geoff Baily: ;)
Pema Pera: it took a few decades, until the early eighties to notice embodiment
Calvino Rabeni: they would not have pursued some dead ends?
Pema Pera: someone like Rodney Brooks at MIT tossed out the whole "inner representation" view
Calvino Rabeni: Intelligence without representation
Pema Pera: they would have recognized them as dead ends much earlier
Pema Pera: Rodney was a revolutionary, but didn't realize he was a phenomenologist :)
Calvino Rabeni: they made walkers that did not have aninternal representation of their environment
Pema Pera: btw, I have another meeting at 2 pm sharp, sorry
Pema Pera: yes, indeed, and that worked much better -- FEWER assumptions!
Mickorod Renard: owww,,ok Pema,,thanks
Calvino Rabeni: thanks, Pema for engaging on this :)
arabella Ella: thanks Pema very interesting discussion!
Pema Pera: ah, an hour is so short to broach such a big topic, sorry!
Geoff Baily: thanks Pema
Mickorod Renard: I feel a little ignorant still I am affraid
Mickorod Renard: but thankyou
Pema Pera: like showing how to play a violin in one hour :-)
Pema Pera: probably still sounds pretty awful . . . (^_^)
Liza Deischer: then you can ask if this is the right place to discuss it?
Eliza Madrigal: Not at all... found the hr surprising. Thanks Pema, Calvino, everyone :) Bye for now
Pema Pera: good question, Liza!
Agatha Macbeth: Bye Liza :)
Pema Pera: it was another experiment
Yakuzza Lethecus: bye liza
Pema Pera: we do what we can!
Liza Deischer: im not going
Pema Pera: bye everybody, thanks for your patience!
Wol Euler: bye pema, thank you
Geoff Baily: Bye Eliza
Liza Deischer: by pema
Agatha Macbeth: Bye Pem, and thanks :)
Calvino Rabeni: Bye !
Mickorod Renard: bye Eliza
Mickorod Renard: bye pema
Liza Deischer: bye eliza
--BELL--
Yakuzza Lethecus: lol eliza
Mickorod Renard: ayup yaku
Liza Deischer: feeling a bit better Wol?
Wol Euler: marginally, but not really.
Wol Euler: thanks though :)
Liza Deischer: :) sorry
Wol Euler: eh, it happens.
Liza Deischer: we, maybe we should let Husserl take care of that :)
Wol Euler: :)
Liza Deischer: well, i need to ponder about this evening